SILENT “Empty Spaces” from the album, Modern Hate Silent was founded in Mexicali, Baja California in 2015. The band released their first LP, “A Century of Abuse”, on Three One G Records the following year. Since, they have only released a cover of The Cure’s “Prayers for Rain”, making this long-awaited upcoming sophomore LP their MORE…
Sometimes you forget people entirely. Maybe that’s self-preservative. We can only hold so much at once. Fill a bucket beyond capacity and no matter how big it is it will eventually overflow. But then sometimes they come back. They rise up in your memory from the blackness like a corpse surfacing in a dark pond, MORE…
I remember a Quintron show right around the time this record came out. It was at the Casbah in San Diego. I think Dmonstrations played. Maybe the Peppermints? What a fucking show. Quintron has this power to turn a room into a dance party both surreal and so real you miss it like your newest MORE…
June 13th is a big day for the Three One G family. Twenty-one years ago today the Black Cat #13 7″ was released. Fifteen years ago both the Holy Molar DVD Dentist the Menace and The Birthday Party tribute record Release the Bats came out. A good day for music, a good day for art MORE…
It’s the end of spring and I’m reading Dickens’ Bleak House and a biography of him published 69 years ago. (I think of that often. THAT many years ago. Most anyone my age alive back then is dead. Dickens died in 1870. Do the math on that.) So, right, it’s the end of spring and MORE…
UNDER ATTACK is a band focused on “vicious precision hardcore” made up of vocalist Alex Copeland, guitarist Mark Telfian, bassist/vocalist Jason Hodges (Suppression, Oozing Meat), and drummer Dave Witte (Municipal Waste). Collectively, the band has an extensive “ex members of” list including Limp Wrist, Discordance Axis, Human Remains, Hail Mary, Eucharist, and many, many more. MORE…
I love vampire movies and I love vampire bats, but when motherfuckers want to bite me or suck my blood I lose my mind. Yesterday I found a snake’s skin in the grass and a tick embedded in the flesh of my stomach. I pulled the tick out. In a panic. In the heat of MORE…
Geronimo’s Nelson, Ruiz, and Francoso build worlds—immersive experiences that demand your undivided attention and require a good set of headphones or deafening volume to take it all in. Obsolete’s first track, the 16.26-minute “Quanah Parker,” sounds like the breath of a galaxy followed by an interstellar invasion. It’s heavy, sinister, and beautiful, building in intensity MORE…
A few weeks ago, I went outside late to bring the dogs back into the farmhouse. The night was pure black. Black without city lights, which is a special kind of dark—a deep, inky, velvet blackness. I wore a headlamp, and as I walked, the light of my lamp picked up the reflection of eyes MORE…
In 2013 I spent a lot of time driving around the country. I had a book that had been released at the end of the previous year, so I toured exhaustively, readings from one end of the country to the next, some good, most pretty bad. At the time I had Retox’s YPLL on CD, MORE…