Home on the farm. Quiet days while the rain keeps coming. The fields in the lowlands flood until taking the highway to the city is like driving on a land-bridge over a dead ocean. The summer corn crop is ruined. Fields are left unplanted. The Missouri River keeps rising. It crests the banks at the MORE…
One of my favorite things about Planet B’s debut full-length is how you can get lost in it—how the weird, morphing, shifting MPC soundscapes ditch traditional song structure and take you on this dreamlike, nightmarish hiphop/punk/noise journey through worlds of oozing synth squelch, cool backwards sounds you can’t place, and percussion that’s like robots building MORE…
Spawned from the Cave that set the standard for mischievous, perverse, raucous punk music in the form of Australian band The Birthday Party, Three One G Records has set out to pay tribute with Release the Bats. This album is a compilation of covers by varied acts from Cattle Decapitation to Some Girls to Ssion, MORE…
True autumn hit the farm with a cold wind that blew hard over the hilly pastures to the west. The leaves on the oak trees went from summer green to a yellow gold, casting a warm glow on the white aluminum siding of the farmhouse. Sitting on the Chesterfield sofa by the windows you had MORE…
Three One G has teamed up with Brain Dead to offer a limited Deaf Club – Productive Disruption test press LP, which is limited to 25. This is available now, and well before the Jan. 6th 2022 release date. So this is your chance to jump on a super rare and awesome variant of the MORE…
Head Wound City’s 2005 Three One G debut opens with a harsh, grinding, power-saw of feedback for nearly a minute before the band kicks in together—squalling hard like a storm at sea with vampire bat shrieks of guitar, thundering bass, blitzing drums, and they don’t let up for the next seven tracks, which are as MORE…
Records released in the wake of 9/11 come with a certain mark of feeling. It doesn’t matter whether the songs were written in response or even recorded after the attacks; the art we take in after trauma is often branded irrevocably by what went down. Get Hustle’s Rollin’ in the Ruins (particularly “Black Stallion Medallion” MORE…
Being alive is fucking hard no matter who you are. Being alive during a pandemic is of course even harder and so is being alive in the dirty heart of peak capitalism. One of the ways we make the shittiness of life feel less terrible is to find things we love and believe in—things that MORE…
Host Jason Schreurs welcomes Jason Hamacher to the podcast. Jason is the drummer for Zealot R.I.P. and has also drummed in Frodus, Decahedron (with Joe Lally of Fugazi, need to sneak that in here), Battery, and Combatwoundedveteran, among others. Jason talks about functioning with attention deficit hyperactivity and channelling it into creative projects such music MORE…
Stream episode 15 of Cult and Culture, via Soundcloud, here. The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Retox. MORE…